rain in my heart update mark

I also think that it is not Pauls fault that these people after having a huge amount of alcohol could not control themselves: their speech, actions and emotions. Get up to 5 months free In life, many people depend on rain for their livelihood and more. Its a very tricky position for Watson. Rain in my heart; rain on the roof; And memory sleeps beneath the gray And the windless sky and brings no dreams Of any well remembered day. The question of the ethics of filmmaking is clearly something that is troubling to Watson. Covering Phoenix, Mesa, Glendale, Scottsdale, Gilbert, the valley . However to me I felt that this is in some sense of vital information that we needed as viewers to understand and try to identify and sympathize with the reasons to why this person relies on alcohol. And I think shots show the photographer and the really things that Watson suffered rise the trustiness of this documentary. This powerful documentary from fly-on-the-wall pioneer Paul Watson provides a raw account of four alcohol abusers from the impoverished Medway towns of north Kent. We ask a lot of our hunters as many times we will pass 200 inch deer to pursue true giant deer. Watson edits and cross-cuts footage to emphasize reccuring themes across the alcoholics. He also gained the trust of his subjects to the extent that Vanda confined in him regarding her abuse as a child, and Nigels wife wanting Watson to be there when she said goodbye to him. This is a bit more than just explaining the distress the subjects are going through. 2022. (2006). Just finished it and I wonder what happened to Mark and Vanda. It is a difficult film to watch because of the subject matter it deals with. Rain In My Heart is a very powerful documentary which gives us all-round access to the issue of alcoholism with a key focus on four of its sufferers. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); http://www.theguardian.com/media/organgrinder/2006/nov/05/sheffielddocfestaredocument, http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1661761/, https://www.youtube.com/watch?v=jjy8Z1hK2wY, http://www.newyorker.com/culture/richard-brody/taking-it-off-for-the-holocaust, https://www.youtube.com/watch?v=2LuFOX0Sy_o. But theres a film within and around the film, one that Steven Spielberg didnt make but that he or someone else should have made: Spielbergs List, the story of the casting call for the actresses who would be getting undressed and going into the gas chamber that turns out to be a shower. There are certainly points in this film in which I believe that the subjects were exploited. There are so many implicit positives such as the awareness it gives people of the truth about alcoholism, its broadcasting the problems in society like a fresh scar, so audiences cant ignore or forget what they have learnt. Print this design in the 3.5 x 5" size. He had been in a coma for weeks after his intended sacrifice and showed no sign of waking up. Ive found this good review of the film on the internet: http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1661761/. Kath now struggles on a severely limited income. RAIN IN MY HEART Mark's story By the end of his teens he was married with a daughter - but his wife couldn't control his drinking and the marriage collapsed. I think that Watson when immersed with these subjects he formed a friendship with, learning to really like some of them and he himself tries to stop some of his subjects from drinking because he wants to see the best happen for them. There are certainly points in this film in which I believe that the subjects were exploited. To apply this aestheticized approach to documentary, look at the trailer for The Imposter https://www.youtube.com/watch?v=2LuFOX0Sy_o The filmmakers aim should essentially be to give a true representation of what they are filming and should present it with no bias to their views or their emotions toward the subject. Registered User. The decision to include this part of Vandas drunk dialogue is one that is certainly questionable, especially since we are not given evidence as to whether or not she did consent to the inclusion once sober. United Kingdom, 2006. This makes me feel as though he almost abuses his subject. But all of these elements and attitudes of the filmmaker were performed in order to achieve a result of what alcoholism really is and of how serious and dangerous its consequences can be. The subject is not exploited as she has consented Watson to film her in her most tragic state and all of this psychological revealing is not only for Watsons own good but for the audience as they are being warned off the overuse of alcohol. Surely, this would mean that his documentary would attract more viewings but at least that would mean that more and more people would learn and be warned about the effects of alcoholism. Overall, I see both sides of the argument. It becomes less objective, and much more personal between him and Vanda. Twenty-nine when he appeared in. Although we see Paul telling Vanda that he will ask her later whether he should use this footage in the film, we do not know if he actually did it. Now, with Rain in my Heart, Watson has made the documentary equivalent to The Lost Weekend(1945), the classic feature film about alcoholism, where a writer loses everything through drinking and ends up on a psychiatric ward. There were moments where I felt the subjects may have been exploited by Paul Watson but, this being said, I dont see a way around this problem. family and friends. I do agree he is explaining in a graphic way the torment of being addicted to alcohol and the consequences that excessive drinking does to ones body. I realised after I posted this! We follow Nigel and his supportive wife Claire as they spend their final weeks together. But that is not a bad thing. It is complicated to say if Paul Watsons techniques were successful in the making of the film, as there are arguments from both sides. Critic Richard Brody (http://www.newyorker.com/culture/richard-brody/taking-it-off-for-the-holocaust) described it: Schindlers List features several of the most vulgar and repellent scenes ever filmed. He pressed forward with the interview and filmming in the crual moment such as his subject vomitted and had a hard time with pain. However I think that this documentary can appear that way simply because it is so intimate and explicit. Posts; 4,539. Watsons interference with the subject is, for the most part, kept to a minimum, although the interviews and conversations he has with the subjects comes across as interrogative at times. I think the way though that Watson should come to it should be through meaningful tactics and not in ways that makes the subject feel smaller in order for the audience to feel bigger. However, as I mentioned previously, Watson neither encourages nor halts the emotional stress of the patients, he simply asks them questions about their mental state and at times even asks the patients if they would prefer the camera to be turned off. As a viewer, it was uncomfortable to watch Watson try and stay professional. However, i was impressed by this documentary. On the other hand, he showed the subjects at their worst, but almost continuously. Two of the participants in Paul Watson's Rain in My Heart died during filming. It quotes how Vanda told Paul Youre asking me while Im pickled in reference to his questions, as well as youre manipulating me. He'd been self-harming repeatedly and been in and out of a psychiatric ward. It would have shown their time off-screen, sitting in a dressing room, preparing themselves to go on-camera, also chatting and gossiping, then being lined up by the assistant director and going through the magic momentthe transformation into character. He later also mentions that one woman, who had been born in a concentration camp, had a complete breakdown while doing that scene.. Yes it is a devastating subject matter and yes the emotions that should arise in audiences should be just as devastating. At first, I believe, Watson had every intention in trying to, in the most effective way possible, try and exploit his subjects. Director Paul Watson See production, box office & company info Add to Watchlist 5 User reviews Won 1 BAFTA Award 2 wins & 1 nomination total Photos Add photo More like this 6.7 Stream "I've Got Rain In My Heart" by The Fresh Experience on desktop and mobile. "My heart is aching. Want to save money? He made it clear through out the film that he was never sure whether he should be filming his subjects or whether he should, at some points, be turning the camera off. The attempts to deal with these accusations are unsatisfactory as the unethical conduct exhibited in this film were necessary for the desired effect. I think Paul Watson has exploited his subjects in some point. Paul Watson has a lot to answer for (The Family probably started the reality trend) but Rain in my Heart made up for a lot. Watson used creative techniques through editing of previous footage of Vanda. 2 . I feel that Paul Watson did exploit his subjects to some extent. I mean most people wouldntHer reaction to his question is also an example as she seemed to be in pain by his disbelief and lack of trust.she even said why else would she be in the state she is in if not because of the trauma she had been through? Voyeurism this is not. From a personal level I felt it was very moving and eye opening to me on this subject. The most obvious example is the scene where Vanda (being drunk) tells Paul about the monsters in her head, even though she did not want to talk about that when she was sober. Instead of the man behind the camera, we see him completely bare, exposing himself to the audience. Currently, Penny Parker's life was great. Critics also believe that the tragic scene of when Nigel dies in front of the camera is too much to be shown to the public eye and that he took full advantage of the emotional situation for his own benefit. 'Fires were started' (1943)may easily come across as simply a fictional film due to the stylistic use of non-diagetic sound and scripted narrative. I think that Rain in my Heart was a very interesting documentary to watch and posed many questions about the ethics of documentary filmmaking. This shows how relationships are built up when filmmaking and how subjects and even the interviewer forms attachments. But Ive never felt like Watson exploited his subjects. I find that this question of whether his action are ethical or not comes into play more at the moments when he simply stands back whilst the subjects continue to drink. francescamancini88. This scene is perhaps one of the more uncomfortable in the film as Watson is merely documenting Vandas relapse back to alcohol and the range of mood swings she encounters. Rain in My Heart I thought was a very dark, powerful and hard hitting documentary. It followed the treatment of four alcoholics in one NHS hospital in Kent (the only one that would let him in). If she was lying she wouldnt tell him would she? When watching the film, there various moments where I felt Paul Watson over stepped the mark, and exploited his subjects. Filmed in 2006 the film. I feel sympathy towards the subjects because they were, maybe, unsure as to what they had agreed to, and what it involved. For someone to say that Watson exploited the people in the film is to say that he harmed them in some way, which I dont think he did. RAIN IN MY HEART BOWY Rock 1,125Shazams play full song Get up to 5 months free of Apple Music Share OVERVIEW LYRICS PLAY FULL SONG Connect with Apple Music. Paul Watsons attempt to defend himself and his arguments against the accusations do make sense. June 27, 2015 by webadmin Watch on YouTube Watch on Brilliant, unflinching documentary on alcoholism by Kent film maker Paul Watson. Its probably doing far more good than bad, just in terms of getting the reality of alcoholism out there. Troubled Toni, 26, merely laughs at warnings that continued drinking will mean death. Paul Watson has none of this. I have noticed that many people discuss this film on various alcoholism-related websites and quite a number of people stopped drinking after watching it or at least took it into serious consideration, and even if one person was/ will be saved by this film than it was definitely worth it. A prime example of exploitation was the most vulnerable and interesting subject-Vanda. Paul Watson does a good job at creating face and gives the appearance of being genuinely interested and sympathetic so in that way it is easier for us to lower our defensive walls and absorb what the documentary is trying to tell us. Four alcoholics in and out of hospital over a two month period, reality at its most real. There are multiple narratives that composes the documentary surrounding each alcoholic; delving into their health, issues and families through interviews and visual representations of their effects. This is followed by a sequence of Claire crying at his funeral and shots of the casket. The subjects had all agreed to be filmed but the thought of switching the camera off and helping must have been fairly strong. But I dont think he exploited anyone in his documentary. This is just one example of the reaction that Watsons Rain in My Heart provoked; Not something that is watched and easily forgotten about. This for me was an awkward introduction to have with a subject you are going to see go through an emotional and dark period. This in essence in the subject saying that they are feeling exploited by the filmmaker and the documentary project. But for the families and subjects is must be/ must have been a very awkward experience even if they had consented to the film. It brought more power to the issues of alcohol and their lasting effects on the psyche. On Thursday, in a special follow-up film for Newsnight, Paul revisits two of the alcoholics from the film, plus the widow of one of those who died during filming. Also, i think observation style makes audience to get more shock by the scene without explanation. On his first admission to hospital, where we see him in the film, he was given a 50:50 chance of survival. This was mostly due to the fact that obviously he was filming people with huge vulnerability in their lives, therefore he was careful not to portray the situation as taking advantage of. https://www.facebook.com/pages/Rain-In-My-Heart-Documentary-In-Memory-Of-My-Dad-Toni-And-Vanda/233416877232. We will package all of it up nicely into a docker container along with a UI and an API (in Flask) An . Numerous parts of the documentary further emphasise this intimacy as we the viewers are taken into the houses of these subjects, as if given permission to enter into anothers personal space which itself is also intimate in the context of the style of filmmaking here (observational). WEEK 4 QUESTION:Are there moments when you feel that Paul Watson has exploited his subjects in this film? Documentary which follows four alcohol abusers - Vanda, aged 43; Mark, 29; Nigel, 49 and Toni, 26 - from the impoverished Medway towns of north Kent. At the same time, I do think Paul Watson exploited his subjects. One of the patients, a caption told us at the end, was now "in recovery". Although, I did not enjoy the film from a personal perspective, from a documentary filmmaker point of view I have to give Paul Watson credit in his ability to talk to the subjects, gain their trust and allow him into their deepest thoughts and darkest moments. Thus creating awareness, insight into the medical world and the rising figures of binge drinking, alcohol abuse and its rippling consequences. Explaining hell it is. Although this might be justified, as their life story is very tragic, I feel Paul Watson pushed them to their limits. Rain In My Heart raises many ethical issues as a documentary yet highlights many health and social issues current in our society. I think to use the word exploitative to describe the techniques used by Watson to film Rain in my Heart upon his subjects is an unfair judgment. The earliest version to survive in the Bible is Mark 's Gospel. If there was any moment in the film where you could perceive Watson as exploiting them it would be when he interviews and observes them whilst or after theyve been drinking heavily, of course Watson cannot control what comes out of their mouth, he does have control over what to show to the audience, however showing these moments to the audience ensures that Watson has observed in full, the effects of alcohol and his points of its destructiveness comes across. Tonis most exploitative scene, as I believe, is when she is shown unconscious a few days before her death. This can be seen when Watson is speaking to Toni about her addiction, something that Toni profusely denies she is. The fact that it was all staged, distances the audience from the idea of a documentary as most believe that it must be as real as possible. Paul Watson was capturing the real lives of these alcoholics, he was not interfering with their actions and allowed alcoholics who were told if they drink anymore they could die, to drink. There are some moments that I will have questions against this films moral or ethical problems. This is not to say there isnt artful construction in the film. Thats exactly what I think about the film: it is extreme and crude in some scenes but this cannot be translated as exploitation but as accurate and careful explanation and evidence of a serious phenomenon such as alcoholism. On the other hand, I feel that some of the content included in the film did not have to be included. A stage of construction must have taken place and although the Documentary as a whole seems as real as possible because we take a true insight into the lives of severe alcoholics, Watson has already manipulated his Documentary by constructing the reality before the show had even commenced. The world was slowly healing. However, you cannot debate the fact that at some points in the documentary, Watson did take it too far. In my opinion, this exploited them as the repetition was giving them a personality that they do not possess and is therefore, a form of misrepresentation. I felt that he definitely uses their trust, but in a good way, he seemed to be a friend for most of them and wanted to change or improve their lives. Although the documentary is very intimate, in both its setting and the framing of the subjects as the yellow-y and fatigued skin of the subjects is shown through close ups. What is interesting about this documentary is that when Paul Watson went to visit Vandas home and saw that she had relapsed, he admitted that he does develop emotional ties to the subjects that he is filming, but that he has the ability to stand back. Indeed, there are many moments when one questions the ethics of his filming, however I believe that it is simply a matter of distinguishing whether or not the capturing of such harsh realities is in itself, exploitative. However, from what I saw in the film, Watson does take advantages on his subjects. White envelopes included. This film must encounter with some ethics problems and Pauls observational style should instigated arguments. Rain in my Heart Documentary which follows four alcohol abusers - Vanda, aged 43; Mark, 29; Nigel, 49 and Toni, 26 - from the impoverished Medway towns of north Kent. I feel it is hard to say if Watson exploited his subjects, because I dont know whatever deal they probably made behind the screen. With a limited number of options given that he had great difficulty finding a location and subjects to film it was essential that Watson was able to capture the gritty reality of alcoholism and addiction in a way that will haunt the audience for some time. One particular scene is the funeral of Nigel, a man who lost his life due to the addiction. For example, Vanda(I think its her name) points at her head and say it is there. I think the problems of ethics in filmmaking cannot be solved. The reason for all this was to make people aware about the phenomenon of alcoholism and surely not for attracting more audience. The latest Arizona headlines, breaking news, in-depth investigations, politics, and local community stories that matter to you. I thoroughly enjoyed this weeks viewing, I felt that it was very informative and educational to those who dont have much knowledge about alcoholism. My eyes are dry, my love, since you've been gone, I haven't shed a tear, I'll never cry, my love, though every day seems like a hundred years, For I'm just a fool who clings to his pride but when I'm alone, I can hear the sound of rain in my heart, of the tears that I hide, And it tears me apart, 'cause I keep them inside, I can't get away from The issue raised here was that Vanda previously refused to tell Watson about her childhood, so only let it out when she was drunk, which one could argue is unethical as she is under the influence of alcohol so she is probably saying things she doesnt want to say. http://news.bbc.co.uk/1/hi/programmes/newsnight/7140605.stm. I do not believe that Paul Watson was dealing with the accusations successfully, but I also do not believe that he was making this film completely selfishly. However, I felt in this case it was too much exploitation of Nigel, Claire and his family, who were probably not in the right mental state of mind to decide whether the sequences of their personal, heartbreaking moments should be filmed. In addition, it appears that Watson is aware of the delicate nature of the documentary and embraces this by stating that all the filming was agreed by the sufferers, in order to shy away accusations that he is exploiting the individuals which he observes. Anyway, audiences (including us) will always question whether a subject who is having their whole life pried open for viewing could be a victim of exploitation. Watson states from the very beginning of the film that he is working with the only four patients who have agreed my intrusions and me filming their hell. These subjects were all willing participants, however their capacity to give consent comes into question. Maybe it could be argued that editing was used too much in this film as it told you how to feel at certain points. He would ask the interviewees why theyve relapsed or if they feel disappointed with their failed progress, but depending on the reaction to these questions, Watson would take a step back if he sensed it was in anyway emotionally challenging, until the subject would take control and continue/stop themselves. I remember feeling genuinely scared that some of the subjects were going to die: such as when Mark was at home and was continuing to drink in excess and constantly vomiting. However, Watson once again denies accusations of exploitation for when he arrives at Vandas to see the door open and clarifies his reason for waiting by stating of course you wait, you dont just go in and more importantly, when the action begins to unfold with a drunken Vanda, Watson says that he must regain his job as someone there to just film what they do to their selves and reassures her that when she begins to talk delicately about her abusive past, that he will not use this footage in the future if she does not want to. (http://www.theguardian.com/media/organgrinder/2006/nov/05/sheffielddocfestaredocument) It is important to understand that Watson is doing his job as a filmmaker and how this certainly does not make in inhumane to the situation. As he sits and tells the audience his own personal views, this for me, made him seem more human. I do not think Paul Watson exploited his subjects exposed their life, yes, but exploited I feel is perhaps a little harsh. Where the film-maker Watson talks about his film and the challenges that faced him when he was doing it and was it right what he was doing. However, in my opinion, after he knocks over Vandas drink and clears it up for her, he says the phrase I had put so much money on you. Rain In My Heart is a documentary that is observing four alcohol abusers Vanda, aged 43; Mark, 29; Nigel, 49 and Toni, 26 from the impoverished Medway towns of north Kent. How could you go, my love Without a thought Here's one depicting true alcoholism in the UK, realism at its best. For Watson asks: What would you class as an alcoholic? Toni replies: Someone who cant go a day without a drink. Once this is said, Watson slowly zooms in on her face and responds: but you told me there are days where you cant go a day without a drink. Watsons response to Tonis statement could be stated as being overly dramatic for the audiences benefit, therefore, compiling with Ellis and most documentary critics argument that the director is always more concerned with how the potential audience will perceive the subject and story than the subject themselves. The King James Version present on the Bible Gateway matches the 1987 printing Use this Bible quiz to test your knowledge of these quotes from the New Testament (Part II) Read Bible KJV Free application is the right tool to listen to the read version of the Bible ( KJV ) for free . I think Paul Watson just record the really experience of alcoholic people, and to large extent to show their emotion and struggle about giving up drinking and the pain they have suffered because of drunk. But I dont appreciate so much. I wanted to look away and the only reason I didnt was because I felt (as i think Watson does) an obligation to make a point of the four subjects publicized suffering. But while Watson explains he also interacts with the subject instead of just observing. I believe he does ask himself sincere ethical questions and that he answers them truthfully. Also when he went to Vandas house and interviewed her, he didnt stop her to drink alcohol. The subjects and the families were happy to be filmed and it was unlikely that the film was going to bring more harm than good it was important that he looked at the whole picture and the awareness he could spread with such a film. SACRAMENTO, Calif. More rain and snow swept through Northern California on Monday, a day after a historic downpour set records and led to dangerous situations on roadways, street flooding,. Arise in audiences should be just as devastating one that would let him in.. How to feel at certain points personal level I felt Paul Watson has exploited his subjects themes. Interview and filmming in the crual moment such as his subject of switching the camera, we see him )! 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